


And there's a story about them on broadwayworld.com here ...



I really wanted to push the idea of starting intimate and then opening up. A gesture of being shy, then trusting the audience with very personal stuff. With the mirror, we allow the boys to "hide" just a little before revealing themselves. The mirror also represents an honesty and willingness on the boys' part that they do accept themselves. A strong angled light would be focused on the mirror to reflect on the boys' faces, and another instrument would light their upstage faces and with a blue wash across the stage we see them but not fully until they move away from the mirror and the room opens up to realistic lighting motivated by table lamps and recessed lighting over the dinning table and bar.
We open the scene with the character action of turning on a lamp, from this motivated light the area around the sofa will softly glow and broaden to see the scene play out.
I wanted to use practicals as much as possible, and then once we established the "look" the stage would open up subtly to see all the action. In this rendering the motivated light is from the table lamp and a blue wash colors the rest of the set to create a late night feeling, but still see the characters. As the scene progresses the light will radiate from the source of the table lamp and fill the surrounding area but the corners will remain darker.
Here we have a moment where I wanted to take us out of reality and highlight the group in an isolated look. There is a front spot that will start on the boys in the middle and then grow larger to incorporate the two new "members" of the family. The audience should feel like this is all going to work out at this moment, and the characters should sparkle. There are dedicated back light and front side light to assist the spotlight.
Our first interview!
Thursday we couldn't really make fun of Shaifer. Shaifer looked good. Shaifer bought a brand new shirt at the Gap. We had to give it to Shaifer. We got a lot of rehearsing done that day.
But Friday, Shaifer outdid himself with a white and blue patterned polyester shirt with 5 buttons at the top that he wore for the first time in August of 1969 to Woodstock.
What will tomorrow bring? We wait with baited breath! The weather is supposed to be in the high sixties. Dare we hope for Culottes?
We like. Thank you.
Jane Pratt, magazine maven and editrix extraordinaire, saw the show a bunch of times - in early readings and at the festival this summer.
"MADE IN HEAVEN is that rare blend of irreverent, original and funny as hell and I implore you to go see it," Jane Pratt (founder, Jane Magazine, Sassy Magazine)
Here's what the SoHo Playhouse looks like when we've put our posters on it. Shaifer got very excited and clapped his hands when he saw it.
This one isn't doing too well anymore. This question of what to put in its place took an hour to debate in today's strategy meeting. Our publicists, promotions team, branding agency, and producers, on conference call from Costa Rica, all had useful input and got very excited. Only after we'd agreed to construct a large pair of [this comment has been censored] did we learn that the current flag's shape is 'grandfathered in' (SoHo Historic District and all that) and its shape can't be changed. We eventually decided that because it will only cost a few thousand dollars to get a new one - every cent well spent as far as ROI - we should go ahead, provided we hire a union rigger to put it up. We created a mock-up of the new flag pinned onto a styrofoam model of the building, and presented our work to the cast, but they didn't seem to care.
Here's a clipping from trusted news source, ABC Soaps, talking to audience member and cast favorite David Fumero. [excerpt:]
Conjoined twins are categorized using the suffix "-pagus" from the Greek word for "fixed". Early teratologists such as Ambroise Pare and Geoffrey St. Hillaire were among the first to identify the various types of conjoined twins. Many twins do not fit perfectly into any of these classifications, and the terms are often combined.
Thoracopagus (left). Joined at the upper chest, from the clavicle to the sternum, each with their own separate heads, arms and legs. The heart is always involved in the conjoinment. In a very few cases, twins sharing a heart have survived for several years. Ruthie and Verena Cady of Rhode Island lived to the age of 7 and were healthy, active girls who rode a tricycle, swam, did gymnastics and went to school. Thoracopagus twins are the most common type, accounting for around 35% of all cases.
Omphalopagus (right). Joined at the abdomen, from the sternum to the groin and often sharing a liver and portions of the digestive system. These twins have separate hearts, heads, arms and legs. Ronnie and Donnie Galyon, born in 1951, are the only non-separated omphalopagus twins in the world today. About 30% of cases.
Xiphopagus (left). Joined at the xiphoid process (part of the sternum) and usually linked only by cartilage and soft tissue. These twins share no vital organs but often have conjoined livers. They are by far the easiest to separate. Chang and Eng Bunker (1811-1874) were xiphopagus twins with conjoined livers. Also called sternopagus. About 3% of cases.
Ischiopagus (right). Joined at the ischium (front pelvis) and lower spine (sacrum), with spines at 180-degree angles to one another. These twins can have three legs (tripus) or four legs (tetrapus). In tripus cases, the third leg is a fusion of two legs that is not controlled by either twin and is therefore useless. Masha and Dasha Krivoshlyopova of Russia (1950-2003?) were ischiopagus tripus twins, their third leg having been removed when they were 16 years old. About 14% of cases.
Ischio-omphalopagus. Combination of ischiopagus and omphalopagus, with spines joined in a "Y"-shape. These twins usually have three legs and a single set of genitalia.
(continued at http://www.phreeque.com/conjoined_twins.html)
"I must say I was a little skeptical when my salsa instructor Andrew told me what his play was about. But the show is effing hysterical! I literally peed myself. The play is two heads above any other comedy on or off Broadway, and the great ensemble acting is a leg above anything I've seen in the last 20 years. Run, don't walk, to "Made in Heaven!"
HEY GUYS!!


